Friday, October 20, 2017

Beth Cavener Stichter

 
The Sentimental Question


Beth Cavener Stichter is a ceramic artist living in Montana.  Born in California she studied science until her senior year when she switched majors, graduating with a BFA in Sculpture from Haverford College.  Sher received her Master’s in Ceramics form Ohio State University.  During this time, she began working with animal forms.
                                                        
    "Please Don't go..."


Her work references our animal nature that lies within us all.  Using animal forms in conjunction with human anatomical parts or situations.  She states, “the things we leave unsaid are far more important than the words spoken out-loud to one another. I have learned to read meaning in the subtler signs; a look, the way one holds one’s hands, the incline of the head, and the slightest unconscious gesture. I rely on animal body language in my work as a metaphor for these underlying patterns, transforming the animal subjects into human psychological portraits.”


Bliss


Beth Cavener Stichter finds inspiration from characters of people from everyday life, or at least they partially take their inspiration from people she meets. Her perceptions also influence the way she views people or emotions so her work is also partially self-portrait like.  Creating several pieces of work around a common theme, emotion, or idea allows time to really think about an idea. 



The Sanguine 2
 Husk


She talks about self-doubt, anxiety and depression heavily influencing her work.  I can relate to these ideas and feelings and see how they must have pushed her to this level.  The ideas in her work relating to the primitive animal within are relatable and beautifully done.  The characters she creates seem to have a life and real personality.  They are not hyper realistic but convey ideas very well.  She also has a petreon where you can support her efforts and I will put a link below.


 Triomphe

 She builds using large armatures wrapped in electrical tape and wood dowels. Sometimes working with 2000 pounds of clay for one piece. Once sculpted her pieces are cut apart and hollowed out.  They are fired in pieces and reassembled with epoxy and painted after firing.